The Grays
Ro Sham Bo
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NATN Recommended
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The Grays
Ro Sham Bo
Epic, 1994
RiYL: Jellyfish, Michael Penn, Aimee Mann, Big Star |
But like the similar precepts of communism, the integrity of these ideals went out the window when actually put into practice. How long do you think a band can last when all its members have the musical talent to record songs with full instrumentation by themselves, and they're all afraid of losing creative control?
The answer: one album. The result: Ro Sham Bo. The verdict: not bad.
The album is a very eclectic pop record, stemming from the fact that the different songwriters bring distinct styles to the table. Judge's and McCarroll's tunes tend to be more rhythmically focused jams, like "Everybody's World" and "Is It Now Yet," while Brion and Falkner stick to '70s-style ultra-cool pop rock, Brion's harmonic melancholy on "Nothing Between Us" contrasting with Falkner's unabashedly catchy jubilation on "Both Belong." But everyone puts themselves into each track, and the result is like a nice musical stew, none of the ingredients outshining the others in contribution to the overall taste.
Though they weren't able to align musically for more than this one record, all members' attentions seem very focused on fully realizing each others' tunes on Ro Sham Bo. The instrumentation is thick and hearty, with sometimes four or five overlapping guitar parts and keyboards propelling a song toward its climax. Splashes of psychedelia (backwards tape loops, oddly distorted vocal harmonies) accentuate some of the later tunes, and Falkner displays some rare vitriolic screaming on "Spooky".
A well-rounded effort, this album has picked up a mysterious reputation since its release. It is no longer in print, and is somewhat revered by fans of '90s power pop (such as Jellyfish and The Posies) as one of this genre's hidden gems. Ro Sham Bo was an interesting experiment, and it remains one of the curious, off-the-path milestones of '90s pop.
TROY CARPENTER | Troy Carpenter founded NATN from a Chicago apartment during the ambitious winter of 1998 with co-conspirators Ben French and Jonathan Cohen. After a five-year stint in New York, he and wife Lourdes have recently relocated to Indianapolis, where he spends days listening to music and nights in the kitchen at Elements restaurant. Musical heroes: Jimi Hendrix, Bob Marley, Super Furry Animals. What else makes life worth living: Sushi, Phucty, runs in the park, and the Atlanta Braves.
