Artist bio

The Welsh quintet Super Furry Animals are one of the most inventive bands of their era, exploring new musical avenues with each release and each passing year. They have drawn inspiration from throughout the history of rock music, to say nothing of their huge electronic influences, and have consistently created compelling albums and songs within each idiom through which they pass.

Having formed from the ashes of a number of bands, including a noise-rock outfit and a techno group, SFA released their first EP, the impossibly-named Lianfairpwllgywgyllgogerchwymdrobwlltysiliogo-ygoyocynygofod (In Space) in 1995. They inked to Creation and kick-started their English-language catalog with Fuzzy Logic in 1996. Its unique punk- and power-pop-influenced tunes floated lysergic patterns and engaging lyrics about off-beat subjects, and the sound was furthered and expanded on the fine sophomore slab Radiator in 1997. 1999's Guerrilla was reportedly recorded only when the sun was shining, at Peter Gabriel's Real World studios, and added a decidedly technological edge to the group's music with an increased focus on electronic rhythms and textures spun together with a sharpened pop hilarity.

But then the group took another turn with its music as its label Creation folded; retreating to the moors of its homeland, the band recorded the Welsh-language Mwng for 6,000 quid in local studios. But hey, lo-fi and less-spoken language doesn't dim the album's appeal. It becomes the highest-selling Welsh-language album of all time, earning them a mention in a Parliament session.

Not to stay pointed in one direction for very long, the group's sixth album Rings Around The World was its slick, produced major-label debut, which sacrificed a tad of the earlier punkish rockula for a perfectly executed widescreen distillation of the group's talents. Eardrum-blazing techno merged with somber acoustic balladry; death-metal codas sat next to five-part pop opuses; sexually charged, thumping instrumentals and gospel-chorused classic rock songs all crashed together in a ponderous, life-affirming stew.

SFA upped the ante once again in 2003, with the space-rock epic "Phantom Power," which took the group's songwriting and arrangement skills to another planet, treating the world to a host of multi-faceted anthems.

They continues to explore the edges of the pop and rock universe, and they put on a great concert. What more could you want?

Albums by this artist

Love Kraft (2005)

Phantom Power (2003)

Rings Around The World (Recommended) (2001)

Mwng (2000)

Guerrilla (1999)

Out Spaced (1998)

Radiator (Recommended) (1997)

Fuzzy Logic (1996)

Concerts

April 24, 2002
Irving Plaza, New York

Interviews

Unleashing Their Power
July 26, 2003

Drawing Rings Around The World
July 28, 2001

Super Furry Animals

Fuzzy Logic


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Super Furry Animals
Fuzzy Logic
Creation, 1996
RiYL: Blur, Supergrass, Olivia Tremor Control
This acid-drenched, genre-bending debut showed the masses (at least those in the British Isles) what the Welsh quintet was all about, even though it merely hints at the sonic grandeur to come over the following decade.

Super Furry Animals is a monster created from the bones and flesh of four Welsh groups. Lead singer/guitarist/songwriter Gruff Rhys spent his apprenticeship in a pop group called Emily, and also played with drummer Dafydd Ieuan in Ffa Coffi Pawb. Bassist Guto Pryce and guitarist Huw Bunford were mates in an outfit called U Thant, while tapehead Cian Ciaran was toiling away in WWZZ. They all met in the pubs in Cardiff and decided to mesh heads, the fruits quickly resulting in two stellar EPs, the impossibly named Llanfairpwllgywgyllgogerchwymdrobwlltysiliogoy-goyocynygofod (In Space) and Moog Droog. But after a huge deal was signed with Creation, the best was yet to come.

Fuzzy Logic is the first long-player from the pop supergroup, and it melds all that is good and inventive about pop music into an adrenalized (and lysergicized) 12-song trip. You've got hyper-pop workouts like the flaming opener "God! Show Me Magic" and live favorite "Bad Behaviour" that work just as well as calmer fantasies "Fuzzy Birds" (about Bunford's hamster, Stavros) and "Hometown Unicorn" (a happy alien abduction story).They even throw in a bleary ballad to laziness ("Gathering Moss") and a chart-storming love song to LSD ("Something 4 The Weekend") only to close with a pub-stomp singalong ("For Now And Ever").

The album is filled with infectious hooks, but that in itself shouldn't beenough to separate it from the pack. There is something about the way SFA twists the conventions of rock and pop that keeps you coming back for more. Maybe it's in the voice: Fuzzy Logic marks the first time Rhys had recorded songs in English, rather than his native Welsh, and by his own admission, he sings with about seven different accents on the album. Maybe it's the magical gestures of songcraft, like the unexpected "oo-oo-oo-oo" chorus tag on "Frisbee." Maybe it's the strange subject matter, like imagining one's self as the lead character of a Mario Bros. video game ("Mario Man"). Or the off-the-wall rhyme schemes, such as "Will you ever return me / Just like Frankie Fontaine," "Locked in a sorry dream / you know we're drowning in designer ice cream" or "Struggling in the vortex / with my jacket made of Gore-tex."

Maybe it's that the entire band is clearly talented and multi-skilled, and yet is able to come together in the collective support of these songs without getting in the way of each other's talents

It's probably a combination of all of those, and the originality level of SFA, which is always cranked to 11. In 1996, the same year Oasis' catchy, but dull retreads of classic pop rock were storming the airwaves to mark some sort of "british invasion," SFA was, with seemingly much less effort, creating perfect pop songs like "If You Don't Want Me To Destroy You." The tune, one of Fuzzy Logic's two lead singles, has the kind of chorus that not only melodically reels in first-time listeners, it also makes them think ("Gravity / it just pulls me down so quietly"). With a lovingly tendered string section and an unparalleled singalong coda, it's pretty astounding that this one didn't perk up silly American ears alongside "Today is gonna be the day that I'm gonna throw it back to you," whatever that means.

Anyway, Super Furry Animals would go on to hone their sound on subsequent releases like Radiator and stretch it out on 1999's Guerrilla, but their debut remains eerily relevant as a benchmark of pop creativity in the '90s. Originality, thy name is Furry.

TROY CARPENTER | Troy Carpenter founded NATN from a Chicago apartment during the ambitious winter of 1998 with co-conspirators Ben French and Jonathan Cohen. After a five-year stint in New York, he and wife Lourdes have recently relocated to Indianapolis, where he spends days listening to music and nights in the kitchen at Elements restaurant. Musical heroes: Jimi Hendrix, Bob Marley, Super Furry Animals. What else makes life worth living: Sushi, Phucty, runs in the park, and the Atlanta Braves.