Burning Airlines
Mission: Control!
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Burning Airlines
Mission: Control!
Desoto, 1999
RiYL: Jawbox, Fugazi, Nirvana, Gang Of Four |
With its seamless dynamic shifts, thick riffs and killer melody, "3 Sisters" epitomizes the transition away from Jawbox's clipped, angular post-punk and onto a much more open-ended playing field. The other biggest surprise is Jawbox guitarist Bill Barbot's transition to bass. Jawbox bassist Kim Coletta always rattled off cool melodies, but Barbot has a sharper and more intuitive sense of placement. His rubber-band lines do the dirty work on the slick "Wheaton Calling" and tug on Robbins' riffs like a magnet in "Pacific 231."
Although Jawbox's music had begun to incorporate a greater range of moods by its final album, Burning Airlines finds Robbins' melodies highly effective in a variety of settings: insanely catchy punk-pop ("Pacific 231"), furious Pixies-esque rock ("Sweet Deals On Surgery" and head-spinning opener "Carnival"), and arty dissonance ("I Sold Myself In," the intelligently weird "Crowned"). "Scissoring" is the album's standout cut with its wicked harmonic riff, bad-ass bassline and thrashy second-half. There's rarely a dull or unoriginal moment to be found anywhere here.
A few of the more ambitious numbers don't work -- the overbearing "The Escape Engine" or the Barbot-sung "Meccano" would have been hard-pressed to make the cut on any Jawbox record. "(my pornograph") samples dialogue from Orson Welles' film "The Trial" as the main ingredient of a waste-of-space sound collage.
Overall, Mission: Control! is one of the strongest (and certainly one of the catchiest) albums to come out of the D.C. music scene in quite a while. It's also a very promising start to life after Jawbox.
JONATHAN COHEN | Jonathan Cohen co-created Nude As The News with his Indiana University mates Troy Carpenter and Ben French. When not traversing the globe for business and pleasure, he holds down the fort as a senior editor for Billboard in New York. Stop him and he just may ask, "what for lunch?"
