Fight For Your Mind combines influences from a broad range of enticing
influences - Jimi Hendrix, Bob Marley, Marvin Gaye, Bob Dylan - and effectively bridges
the narrowing gap between hip-hop and pop rock.
The songs are built on smooth bass grooves, soul-drenched singing and
intense guitar playing. The listener is instantly able to enjoy the music by simply
falling into its timeless trance. Harper's crisp vocals flow effortlessly over his highly
efficient slide guitar work, proving he is more than a loyal student of the blues.
He is a master.
Harper is shooting to make what he once referred to as the "New
Blues." In other words, he isn't just another Kenny Wayne Shepherd, ruthlessly
pillaging Stevie Ray Vaughn's song catalogue for old ideas. A good listen to Fight
and you'll appreciate his determination to come up with something of his own. The respect
for history is there, but it isn't getting in the way of innovation or modernity.
"Excuse Me Mr." is a rap song as much as it is a blues song. Again, the bass is
thick. Harper's voice is clouded in dark effects. And the attitude is bad.
The album's lyrics, on the whole, are exceptional, lending themselves to
serious inspection by covering some pretty heavy subjects: God, racism and love, to name a
few. Harper tends to preach more than other artists with similar mindsets, but the
presentation of his beliefs and politics is quite compelling.
In fact, the singer's words have an unusually universal appeal. During the
ballad "Give a Man a Home," he asks: "Have you ever worn thin? Have you
ever never known where to begin?" His voice is frail, his emotion stirring.
"Have you ever lost your belief, watching your faith turn to grief?" By the
song's close, we share the singer's burden of lost love. We are caught in his web of
self-pity, his pasture of endless hurt and pain.
It's unclear why Harper hasn't become a household name. There are at least
four songs on Fight For Your Mind with chart-topping potential. The production is
smooth and the presentation simple, but smart. In the end, the lack of public
acknowledgement shouldn't matter to us.